{"id":43684,"date":"2026-08-05T07:44:38","date_gmt":"2026-08-05T13:44:38","guid":{"rendered":"https:\/\/digitalreportmx.com\/?p=43684"},"modified":"2026-08-05T07:53:29","modified_gmt":"2026-08-05T13:53:29","slug":"giff-anuncia-a-los-ganadores-de-su-xxix-edicion","status":"publish","type":"post","link":"https:\/\/digitalreportmx.com\/index.php\/2026\/08\/05\/giff-anuncia-a-los-ganadores-de-su-xxix-edicion\/","title":{"rendered":"GIFF anuncia a los ganadores de su XXIX edici\u00f3n\u00a0"},"content":{"rendered":"\n<p><kbd>San Miguel de Allende<\/kbd>, Guanajuato<\/p>\n\n\n\n<p>El Festival Internacional de Cine Guanajuato (GIFF) se despidi\u00f3 de una edici\u00f3n m\u00e1s, marcada por las sonrisas, la alegr\u00eda, los abrazos y los emotivos homenajes que dieron vida a esta gran celebraci\u00f3n del s\u00e9ptimo arte.&nbsp;<\/p>\n\n\n\n<p>La edici\u00f3n 29 inici\u00f3 el 24 de julio en Guanajuato Capital y continuar\u00e1 hasta el 2 de agosto en San Miguel de Allende, donde seguir\u00e1n las proyecciones de la Selecci\u00f3n Oficial y se sumar\u00e1 la esperada Muestra de Ganadores.&nbsp;<\/p>\n\n\n\n<p>A lo largo de estos d\u00edas, el p\u00fablico disfrut\u00f3 de 203 pel\u00edculas provenientes de 55 pa\u00edses, en una programaci\u00f3n que reflej\u00f3 el talento, la diversidad y la pasi\u00f3n de cineastas de todo el mundo. Con este cierre, lleg\u00f3 el momento de reconocer la excelencia cinematogr\u00e1fica y celebrar a las producciones ganadoras.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"502\" src=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-12.png\" alt=\"\" class=\"wp-image-43691\" srcset=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-12.png 900w, https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-12-300x167.png 300w, https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-12-768x428.png 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p><strong>PREMIO DE INCUBADORA&nbsp;<\/strong><\/p>\n\n\n\n<p>Premio otorgado por LCI seguros para:&nbsp;<em><strong>Las insuficiencias<\/strong><\/em>, de Clemen Villamizar Acosta y Mar\u00eda Aurora Villamizar Acosta.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"498\" src=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-13.png\" alt=\"\" class=\"wp-image-43692\" srcset=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-13.png 890w, https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-13-300x168.png 300w, https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-13-768x430.png 768w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><\/figure>\n\n\n\n<p><strong>CONCURSO DE GUI\u00d3N&nbsp;<\/strong><\/p>\n\n\n\n<p>Mejor Gui\u00f3n de Cortometraje:&nbsp;<em><strong>Los tipos duros no bailan<\/strong><\/em>, de Samuel Abraham Segura Moreno e Iv\u00e1n Rodrigo Mart\u00ednez Lomel\u00ed.&nbsp;<\/p>\n\n\n\n<p>Menci\u00f3n especial:&nbsp;<em><strong>2005<\/strong><\/em>, de Humberto Alejandro Flores Jauregui.&nbsp;<\/p>\n\n\n\n<p>Mejor Gui\u00f3n de Largometraje:&nbsp;<em><strong>Tierra \u00e1cida<\/strong><\/em>, de Rafael Macazaga Lor\u00eda y Jos\u00e9 Manuel Mijares Torres.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"896\" height=\"506\" src=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-16.png\" alt=\"\" class=\"wp-image-43702\" srcset=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-16.png 896w, https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-16-300x169.png 300w, https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-16-768x434.png 768w\" sizes=\"auto, (max-width: 896px) 100vw, 896px\" \/><\/figure>\n\n\n\n<p><strong>16\u00b0 CONCURSO DE DOCUMENTAL UNIVERSITARIO IDENTIDAD Y PERTENENCIA&nbsp;<\/strong><\/p>\n\n\n\n<p>Primer lugar:&nbsp;<em><strong>Camioneros<\/strong><\/em>, de Odett Mu\u00f1oz G\u00f3mez (Universidad EPCA)&nbsp;<\/p>\n\n\n\n<p>Segundo lugar:&nbsp;<em><strong>Fuertes como roca<\/strong><\/em>, de Enrique Arturo Rubio Vel\u00e1zquez (Universidad Meridiano)&nbsp;<\/p>\n\n\n\n<p>Menci\u00f3n especial:&nbsp;<em><strong>La herencia que somos<\/strong><\/em>, de Michel Dur\u00e1n (Universidad de Guanajuato, Campus DICIS)<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"892\" height=\"506\" src=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-14-1.png\" alt=\"\" class=\"wp-image-43694\" srcset=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-14-1.png 892w, https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-14-1-300x170.png 300w, https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-14-1-768x436.png 768w\" sizes=\"auto, (max-width: 892px) 100vw, 892px\" \/><\/figure>\n\n\n\n<p><strong>17\u00b0 RALLY UNIVERSITARIO&nbsp;<\/strong><\/p>\n\n\n\n<p>Premio del jurado:&nbsp;<em><strong>Tirka<\/strong><\/em><em>,&nbsp;<\/em>de Christian Frausto (Escuela Nacional de Estudios Superiores Unidad Morelia UNAM, ENES Morelia)&nbsp;<\/p>\n\n\n\n<p>Menci\u00f3n honor\u00edfica:&nbsp;<em><strong>Procesi\u00f3n<\/strong><\/em>, de Mariana De Anda (Universidad Aut\u00f3noma de Aguascalientes)&nbsp;<\/p>\n\n\n\n<p><strong>PREMIO DE LA PRENSA&nbsp;<\/strong><\/p>\n\n\n\n<p>Ganador:&nbsp;<em><strong>Para que no se te olvide<\/strong><\/em>, de Marcela Jabes&nbsp;<\/p>\n\n\n\n<p><strong>SELECCI\u00d3N OFICIAL COMPETENCIA XR (REALIDAD EXTENDIDA)&nbsp;<\/strong><\/p>\n\n\n\n<p>Mejor narrativa:&nbsp;<em><strong>Less Than 5GR of Saffron<\/strong><\/em>, de N\u00e9gar Motevalymeidanshah.&nbsp;<\/p>\n\n\n\n<p>Mejor Experiencia de Realidad Virtual:&nbsp;<em><strong>Out of Nowhere<\/strong><\/em>, de Kris Hofmann.&nbsp;<\/p>\n\n\n\n<p>Menci\u00f3n especial:&nbsp;<em><strong>Happy Shadow<\/strong><\/em>, de Pei-Ying Lin.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"896\" height=\"502\" src=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-15.png\" alt=\"\" class=\"wp-image-43695\" srcset=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-15.png 896w, https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-15-300x168.png 300w, https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-15-768x430.png 768w\" sizes=\"auto, (max-width: 896px) 100vw, 896px\" \/><\/figure>\n\n\n\n<p><strong>CORTOMETRAJE GUANAJUATO&nbsp;<\/strong><\/p>\n\n\n\n<p>Ganador:&nbsp;<em><strong>La Virgen de Guadalupe<\/strong><\/em>, de Viridiana Moreno Garc\u00eda.&nbsp;<\/p>\n\n\n\n<p>Premio especial:&nbsp;<em><strong>El retorno del hijo pr\u00f3digo<\/strong><\/em>, de Adri\u00e1n Arriola N\u00fa\u00f1ez.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"346\" src=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-16.jpg\" alt=\"\" class=\"wp-image-43696\" srcset=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-16.jpg 600w, https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-16-300x173.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<p><strong>CORTOMETRAJE MEXICANO DE FICCI\u00d3N&nbsp;<\/strong><\/p>\n\n\n\n<p>Ganador:&nbsp;<em><strong>Pari\u00f3 la cochi<\/strong><\/em>, de Fernando Rebeil.&nbsp;<\/p>\n\n\n\n<p><strong>CORTOMETRAJE MEXICANO DOCUMENTAL \/ NO FICCI\u00d3N&nbsp;<\/strong><\/p>\n\n\n\n<p>Ganador:&nbsp;<em><strong>I Used To Call That Man Home<\/strong><\/em>, de Melissa Nocetti.&nbsp;<\/p>\n\n\n\n<p>Menci\u00f3n especial:&nbsp;<em><strong>M\u00e1s all\u00e1 de la piel<\/strong><\/em>, de Arturo de Ita Sosa.&nbsp;<\/p>\n\n\n\n<p>Premio especial de postproducci\u00f3n: para Juan Daniel Trujillo.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"556\" src=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-17.jpg\" alt=\"\" class=\"wp-image-43699\" srcset=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-17.jpg 599w, https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-17-300x278.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n\n\n\n<p><strong>CORTOMETRAJE ANIMACI\u00d3N&nbsp;<\/strong><\/p>\n\n\n\n<p>Ganador:&nbsp;<em><strong>Tears<\/strong><\/em>, de Paulina Ziolkowska.&nbsp;<\/p>\n\n\n\n<p>Menci\u00f3n especial:&nbsp;<em><strong>Parada\u00efz<\/strong><\/em>, de Matea Radic.&nbsp;<\/p>\n\n\n\n<p><strong>CORTOMETRAJE INTERNACIONAL DE FICCI\u00d3N&nbsp;<\/strong><\/p>\n\n\n\n<p>Ganador:&nbsp;<em><strong>Anatom\u00eda de un retrato<\/strong><\/em>, de Juan Felipe Le\u00f3n.&nbsp;<\/p>\n\n\n\n<p>Menci\u00f3n especial:&nbsp;<em><strong>Like Moths to Light<\/strong><\/em>, de Gala Hern\u00e1ndez L\u00f3pez.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"435\" src=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-18.jpg\" alt=\"\" class=\"wp-image-43700\" srcset=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-18.jpg 599w, https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-18-300x218.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n\n\n\n<p><strong>CORTOMETRAJE INTERNACIONAL DOCUMENTAL \/ NO FICCI\u00d3N&nbsp;<\/strong><\/p>\n\n\n\n<p>Ganador:&nbsp;<em><strong>Slet 1988<\/strong><\/em>, de Marta Popivoda.&nbsp;<\/p>\n\n\n\n<p><strong>LARGOMETRAJE DOCUMENTAL \/ NO FICCI\u00d3N INTERNACIONAL&nbsp;<\/strong><\/p>\n\n\n\n<p>Ganador:&nbsp;<em><strong>Past Future Continuous<\/strong><\/em>, de Morteza Ahmadvand y Firouzeh Khosrovani.&nbsp;Menci\u00f3n especial:&nbsp;<em><strong>Better Go Mad In The Wild<\/strong><\/em>, de Miro Remo.&nbsp;<\/p>\n\n\n\n<p><strong>LARGOMETRAJE DE FICCI\u00d3N MEXICANO&nbsp;<\/strong><\/p>\n\n\n\n<p>Ganador:&nbsp;<em><strong>Las L\u00e1grimas de Bael<\/strong><\/em>, de Hugo Villase\u00f1or.&nbsp;<\/p>\n\n\n\n<p><strong>LARGOMETRAJE DOCUMENTAL \/ NO FICCI\u00d3N MEXICANO<\/strong><\/p>\n\n\n\n<p>Ganador:&nbsp;<em><strong>Nuestro cuerpo es una estrella que se expande<\/strong><\/em>, de Tania Hern\u00e1ndez Velasco y Semilities Hern\u00e1ndez.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"399\" src=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-19.jpg\" alt=\"\" class=\"wp-image-43701\" srcset=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-19.jpg 599w, https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-19-300x200.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n\n\n\n<p><strong>LARGOMETRAJE INTERNACIONAL IRIDISCENCIA&nbsp;<\/strong><\/p>\n\n\n\n<p>Ganador:&nbsp;<em><strong>Chronovisor<\/strong><\/em>, de Jack Auen y Kevin Walker.&nbsp;<\/p>\n\n\n\n<p>Menci\u00f3n especial:&nbsp;<em><strong>Dry Leaf<\/strong><\/em>, de Alexandre Koberidze.&nbsp;<\/p>\n\n\n\n<p><strong>LARGOMETRAJE GIFF PREMIERE&nbsp;<\/strong><\/p>\n\n\n\n<p>Ganador:&nbsp;<em><strong>Teenage Sex And Death at Camp Miasma<\/strong><\/em>, de Jane Schoenbrun.<\/p>\n\n\n\n<p><strong>LARGOMETRAJE MAVERICKS Y LUMINARIAS&nbsp;<\/strong><\/p>\n\n\n\n<p>Ganador:&nbsp;<em><strong>Mare\u2019s Nest<\/strong><\/em>, de Ben Rivers.&nbsp;<\/p>\n\n\n\n<p>Menci\u00f3n especial:&nbsp;<em><strong>L\u2019Aventura<\/strong><\/em>, de Sophie Letourneur.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"898\" height=\"498\" src=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-17.png\" alt=\"\" class=\"wp-image-43704\" srcset=\"https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-17.png 898w, https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-17-300x166.png 300w, https:\/\/digitalreportmx.com\/wp-content\/uploads\/2026\/08\/unnamed-17-768x426.png 768w\" sizes=\"auto, (max-width: 898px) 100vw, 898px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>San Miguel de Allende, Guanajuato El Festival Internacional de Cine Guanajuato (GIFF) se despidi\u00f3 de una edici\u00f3n m\u00e1s, marcada por las sonrisas, la alegr\u00eda, los abrazos y los emotivos homenajes que dieron vida a esta gran celebraci\u00f3n del s\u00e9ptimo arte.&nbsp; La edici\u00f3n 29 inici\u00f3 el 24 de julio en Guanajuato Capital y continuar\u00e1 hasta el 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